A large steel sheet is cut and transformed into a can, step by step. Along the way, various sounds fill the space—the slice of the slitter, the stamp of the press, the sealing clicks and clatters. These real factory sounds have been recorded and remixed by sound creator GUCHON into a unique and funky techno track.
The process begins with a slitter—a cutting machine that slices a steel sheet into three parts: the body, lid, and bottom of the can. The material is set into the machine, dimensions are carefully checked, and the blade width is manually adjusted to match the required cut. It’s a precise task, with adjustments made in increments as small as 0.01mm.
Sent down the assembly line, the cut metal is pressed from below by a specialized tool, forming the body of the can. No glue is used—just precision folds that bond the metal together, seamlessly and securely.
In a square can production, there’s a process called “seaming” that tightly joins the body and the bottom. The bottom piece is placed onto the body, then a rotating pressure machine called a “seamer” presses around the edges—curling and locking the two parts together with precision.
Cylindrical cans go through a similar process to join the body and bottom. Since they have no corners, the can itself rotates while pressure is applied from a single point on the outside, completing the seam. Because of the high-speed rotation, precise setup is essential.
The lid is formed using a technique called “deep drawing,” which shapes a single flat sheet into a seamless three-dimensional form. Depending on the material and type of printing, the stretchability can vary. To ensure consistency during the drawing process, the automatic machines are carefully calibrated. At the factory, more than 20 press machines ranging from 25 to 80 tons of pressure line the floor.
Once the bottom and body are sealed together, the main body of the can is complete. A lid is then placed on top and the can is packaged, ready for shipment. In this manufacturing process, approximately 600 to 1,200 cans are produced per hour.
Founded in 1906, Sobajima Seikan operates a factory in Ōharu Town, Ama District, Aichi Prefecture. The company started by using tinplate for incubation devices in the sericulture industry. Before World War II, it was engaged in manufacturing hardtack containers for the Imperial Army and aircraft components. Today, the company produces cans for dried foods, confectionery, and other products, offering a variety of shapes, including square, round, and oval cans. It caters to diverse needs, from ready-made products to fully custom orders.
Tokyo-based DJ / producer. He runs Sabacan Records and also works as a member of the group Kokushi Musou. He has released a variety of works on labels in 10 countries around the world, including the Pistachio Party EP released by Germany’s Chiwax and Super Deluxe released by the UK’s Hot Haus Recs. His Piano Bros EP on the US label Maximum Airtime was reviewed by Resident Advisor and released by the UK label fabric.His collaborations with Carpainter on Tokyo Funk (System Records) and rapper ONJUICY on You Know What (Trekkie Trax) transcend genres and explore new horizons. His most recent work is the Bouncy Fox EP from Poland’s STEP Recording, run by Catz’n Dogz. He has provided mixes for Apple Music, Rinse FM, and more. He is popular worldwide as a funky and unique DJ.
Born in 1979 in Abashiri, Hokkaido. Began his career in 1999 as an engineer in Setagaya’s Heartbeat recording studio. Freelance from 2009. Currently based in Kyoto, working with various artists doing live PA work, recording, mixing, and mastering.
Born in 1987 in Kobe. Attended Nihon University. Graduated with a major in photography. Joined Amana Inc. in 2011. Freelance since 2014.
Rintaro Shimohama takes the materials around him, the sights and sounds he experiences everyday, breaks them down, and rebuilds them into something new. He became interested in the factories, and is working as a director on this project.